![]() ![]() This has already been put into practice for the wayfinding system in the Old Masters Gallery in Dresden, where individual icons were designed, which were then adopted into the present fonts and adapted to the respective stroke width. Thanks to the exceptionally open “un-compact” finish, West is recommended not only for display use but also for smaller text or for wayfinding or signage systems. The range of West is also something rather special in the geometric genre: nine font weights ranging from Hairline to Black, matching italics as well as variable fonts that are all included in the Complete Package, giving the user full flexibility, which is perfect for branding and editorial projects. All together, these design idiosyncrasies result in a compelling, contemporary mix. f, alternative r) as well as the classical effect of fully reduced geometric grotesques (e.g. M, N, V, 3) and more technoid, monospaced influences of the nineties (e.g. The characters beautifully oscillate between Art Deco influences (e.g. He emphasized this unique character further with unusual glyphs such as W, t, f, 2, the alternative forms of the italic Q, the diagonal endings or angular dots. a narrow a and s in contrast to the wide b, n and J). The font is free for both personel and commercial usages. In order to maintain a harmonious canon of shapes and to do justice to its construction and symmetry, he varied individual letter widths (e.g. Wild West is a fancy, western font designed by West Wind Fonts. ![]()
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